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Immaggine:Guitar MET DP232758.jpg

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Detàggi

Guitar   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artista
Creator:Matteo Sellas
Tittolo
Guitar
Descriçión
Italian; Guitar; Chordophone-Lute-plucked-fretted
Dæta 1630 circa
date QS:P571,+1630-00-00T00:00:00Z/9,P1480,Q5727902
–50
Tecnica/materiale Spruce, bone, parchment, snakewood, ivory
Dimenscioìn

Height: 37 5/8 in. (95.6 cm)

Width: 10 9/16 in. (26.9 cm)
institution QS:P195,Q160236
Ubicassion corente
Musical Instruments
Nummero d'inventaio
1990.103
Linnia d'acatto Purchase, Clara Mertens Bequest, in memory of André Mertens, 1990
Vivagna/Fotoggrafo

https://www.metmuseum.org/art/collection/search/503385

Licénsa
(Dêuviâ tórna 'sto file chi)
Creative Commons CC-Zero Questo file è reso disponibile nei termini della licenza Creative Commons CC0 1.0 Universal.
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Atre verscioin
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  • Baroque guitar (ca.1630-50), Matteo Sellas, The Met, NYC.jpg
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  • Guitar MET Sellas 1990.103 Front.jpg
    Guitar MET Sellas 1990.103 Front.jpg
References
InfoField
  • Matteo Sellas [Attributed to] (ca. 1630–50). [1990.103]. Venice, Italy.
    "​ Maker: Attributed to Matteo Sellas (German, Füssen ca. 1599–1654 Venice) ",
    "​During the 17th century, amateurs in Italy, Spain, and southern France used the guitar to accompany songs and arias or to play solo pieces. In Italy, Venice was the guitar-manufacturing center and Matteo Sellas its most eminent luthier. The style of the instrument with scalloped snakewood ribs, bone striping and fanciful arabesques are hallmarks of the Venetian tradition of lute and guitar making. Engraved bone plaques, geometric bone and snakewood inlays further enrich the beauty of this restored guitar. Between the end of the 16th and the end of the 18th century, guitars had five double courses of gut strings, a decorative parchment rose placed in the sound hole, and a back that was often vaulted instead of flat. As musical taste changed during the second half of the 18th century many old guitars were refitted to adjust to contemporary taste. The rose, bridge and pegblock of this instrument were removed and five single strings were added. Prior to its arrival at the Metropolitan Museum the old fittings were reintroduced. "

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Guitar, Italian, attributed to Matteo Sellas (MET, 1990.103)

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